Atlas Shrugged (Movie Trilogy)

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How much you like it will be influenced by how much you liked the Books, and how high your expectations are.
I recommend it with reservations. How much you like it will be influenced by how much you liked the Book (and how high your expectations are). Basically, it's long-winded inversion of Animal Farm: what happens if the producers stop producing. This trilogy would make a good 90 minute story, but that's not Ayn Rand's style. But it is a good (enough) story.
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~ Aristotle Sabouni
Created: 2011-04-18 

I recommend these with reservations. How much you like it will be influenced by how much you liked the Book (and how high your expectations are). I was a reserved fan of the Book, and my movie expectations weren't very high. So I thought the movie was really good (better than the Book). The whole plot is basically like 1984 or Animal Farm (and follows the book) -- it was about how a well meaning collectivist society keeps punishing the producers and rewarding the slackers, until society crumbles. (Those producing the most, go away. E.g. Atlas Shrugs and the world falls).

Ayn Rand never believed in saying in a sentence, that which could fill a chapter, and the movie follows suit by taking a Trilogy to fill out a 90 minute storyline. Not as bad as the Hobbit at that, but it's certainly not an action flick.

I was a modest fan of Atlas Shrugged. It had the same basic lessons of Animal Farm, 1984, or Robin Hood, with a LOT more words. But it was and will remain a formative piece for many people. And it got me to read what I think were Ayn's better, earlier works. ("We the Living" was her best and shortest work for me, because it left the responsibility of conclusions to her reader. And because it was almost her autobiography). Atlas Shrugged was much heavy handed with long monologues and told in such a ham-handed way, that it had all the subtlety of dynamite fishing. But the lessons were good and pointed (if a bit overplayed and simplistic). This movie managed to fix many of those things I didn't like about the book for me. I didn't go into this movie expecting much. An obscure production telling a long-winded story with almost a religious following: what could go wrong?

Surprisingly, I thought it was really well done, FAR more subtle and much better acting than the book. And because it was a Part 1, I think it had to leave more to the viewer than the original left to the reader: which was an improvement. The political timing: with Obama's economics speeches getting plagiarized almost word-for-word by Mr. Mouch, made it amazingly attuned to the times. (Even if by accident). And while it ended a bit abruptly (with many open questions), it was at a well timed spot in the book (at least as good as Star Wars IV). So it left the viewer wanting more, while still remaining complete on it's own.

Part 2 (2012) and Part 3 - Who is John Galt (2014) were more of the same. They felt slow, but watchable, and wrapped up the book. Eventually.

 

Film Critics[edit source]

           Main article: Film Critics
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If you want to see leftist bias in media, you just have to look at all the examples of how far off from their reviewers are from their viewers. I use the spread as a predictor of whether I'll like a film. Big spread with audience over critics? I'm going to like it. But big spread with critics over audience? I'll usually side with audience.

Tatometer Summary
RottenAtlas1.pngRottenAtlas2.pngRottenAtlas3.png Atlas Shrugged (Movie Trilogy) - Reviewers were predictably biased against it, either in not seeing or panning it. While these weren't the best action flicks, they were a fuckton better than some of the bad documentaries and shows that the reviewers would sing the praises of. So the Rotten Tomatoes respective spreads of -59% (10/69) and -57% (4/61) and -41% (0/41), exists not to remind us of how bad these movies are (they aren't THAT bad), but to remind us about how out of touch (marxist) that movie critics are.

Conclusion[edit | edit source]

The books have a cult following, and those are hard to make into movies. Whatever you cut/alter is herresy... but books need to be cut to make a compelling story. This should have cut more.

Since it tells an anti-Hollywood message it won't win any awards and the reviews will hate it on ideological ground (but find other excuses to trash it). But that it was able to get made in Hollywood against the odds, puts it in the company of Citizen Cane, or Passion of Christ factor. That makes it significant for its rarity alone. It is timely, polarizing and was hard to make in Hollywood: thus one of the most important movies of the year. (Anything that adds diversity of thought to Hollywood is important). But the impact was more about it getting made, than the quality of the production or tightness of the story.

It followed the books, but the books were too slow. Ayn Rand's "We the Living" was a far better, and shorter book, that told the same story in a different way. But if you made the movie, it wouldn't have the name recognition.

In the end worth seeing, but not necessarily entertaining.


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